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Browse results: Arts

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RESOURCE	GRADE LEVEL	MEDIA TYPE
Arts in the Renaissance: Bransle Kentucky students perform the Maltese Bransle (pronounced brahwl), a country dance that was popular in the royal courts of France and England during the Renaissance. The segment was recorded by KET in partnership with the Kentucky Arts Council and Kentucky Shakespeare. Kentucky Shakespeare also provided the costumes worn by the dancers. Accessibility features: Caption	9-12	Video
Arts in the Renaissance: Pavane Kentucky students dance the Pavane, a processional dance from the Renaissance. The segment was recorded by KET in partnership with the Kentucky Arts Council and Kentucky Shakespeare. Kentucky Shakespeare also provided the costumes. Accessibility features: Caption	9-12	Video
Arts in the Renaissance: Scene from Hamlet Actor Kevin Hardesty performs the famous “To be, or not to be” soliloquy from Act III, Scene I of the Shakespearean tragedy Hamlet. Hardesty opens the segment with an introduction to the scene. Accessibility features: Caption	9-12	Video
Acting in Vocal Performance In this video adapted from Broadway or Bust, a young singer works with a coach on the Dreamgirls song “And I Am Telling You I’m Not Going.” Accessibility features: Caption	6-12	Video
African/African-American Culture: Manjani The Imani Dance and Drum Company of Louisville, Ky., perform the Manjani, a West African dance that celebrates an important event such as the harvest (as in this performance), a wedding, or a naming ceremony. Accessibility features: Caption	5-12	Video
Choctaw Dances This video, adapted from material provided by the ECHO partners, presents aspects of traditional Mississippi Choctaw activities. Accessibility features: Caption	4-6	Video
Choreographing Large Groups In this video from Broadway or Bust, a choreographer works with an ensemble to prepare an opening dance number. Accessibility features: Caption	6-12	Video
Dealing with Rejection In this video from the Broadway or Bust website, coaches and young performers share how they cope with rejection. Accessibility features: Caption	6-12	Video
Dealing with Stage Fright In this video from the Broadway or Bust website, coaches and students comment on how to manage stage fright. Accessibility features: Caption	6-12	Video
Exploring Excellence: Kimani Griffin In this From the Top at Carnegie Hall video segment, 17-year-old guitarist Kimani Griffin of Winston-Salem, North Carolina, plays the third movement Preludio e toccatina from "Aquarelle" by Sérgio Assad. Accessibility features: Caption	5-12	Video
Found Sound: Joshua Jones In this From the Top at Carnegie Hall video segment, 16-year-old Joshua Jones plays a breath-taking rendition of Paul Smadbeck's "Rhythm Song" on the marimba. Accessibility features: Caption	5-12	Video
Gypsy Airs: Anna JiEun Lee In this From the Top at Carnegie Hall video segment, 12-year-old Anna JiEun Lee plays a dazzling violin piece by Pablo de Sarasate called Zigeunerweisen (Gypsy Airs). Accessibility features: Caption	5-12	Video
Innovation through Experimentation: Kiyoe Wellington In this From the Top at Carnegie Hall video segment, hear a young double bassist from Hawaii play a soulful contemporary piece. Accessibility features: Caption	5-12	Video
Japanese Culture: Japanese Aesthetics Shozo Sato provides a brief overview of Japanese aesthetics and explains the major differences between Western and Japanese aesthetics. He talks about the Japanese emphasis on stylization and the function of art and the artist in Japanese society. Accessibility features: Caption	6-12	Video
Japanese Culture: Kabuki Actor's Technique Shozo Sato describes Kabuki acting technique and the training that Kabuki performers, traditionally all male, go through in order to learn how to play male, female, young, and old characters. He demonstrates vocal inflections and actual movements—walking, how the head is held, poses—of various Kabuki characters. Accessibility features: Caption	6-12	Video
Japanese Culture: Kabuki Makeup Kabuki master Shozo Sato applies makeup to actor Michael Goldberg as he discusses about how makeup is applied and how colors and lines help suggest character. In Kabuki theater, makeup is used to express a character’s personality. Accessibility features: Caption	6-12	Video
Japanese Culture: Scene from Macbeth Kabuki-Style In the segment Macbeth: Kabuki Style, actors Michael Goldberg and Barbara Robertson perform the scene from Macbeth in which Macbeth and Lady Macbeth plot the murder of Duncan. The text used by the actors in this video was adapted to better suit Kabuki-style performance and only resembles the standard text of Macbeth. Accessibility features: Caption	6-12	Video
Listening with Your Eyes: Matthew Lipman In this From the Top at Carnegie Hall video segment, 16-year-old violist Matthew Lipman plays "La Campanella" from the Second Violin Concerto by Niccolo Paganini. Accessibility features: Caption	5-12	Video
Mad Hot Tango: Caeli Smith In this From the Top at Carnegie Hall video segment, 15-year-old violinist Caeli Smith plays a wonderful movement from Astor Piazzolla's L'histoire du tango, called "Bordel 1900." Accessibility features: Caption	5-12	Video
Marimba Beat: Jingchen Sun In this From the Top at Carnegie Hall video segment, watch Jingchen Sun, a 17-year-old marimba player from China, as she plays a haunting piece by German composer and percussionist Nebojsa Zivkovic. Accessibility features: Caption	5-12	Video
Musical Journey: Eliodoro Vallecillo In this From the Top at Carnegie Hall video segment, 17-year-old Eliodoro Vallecillo plays the Allegro from Mozart's Concerto No. 3 in E flat, K. 447 on the French horn. Accessibility features: Caption	5-12	Video
Native Student Filmmakers Focus on Climate Change In this video segment adapted from Haskell Indian Nations University, student filmmakers explain why it is important to them to make a video about climate change. Accessibility features: Caption	6-12	Video
One String, Many Sounds: Jonah Ellsworth In this From the Top at Carnegie Hall video segment, 13-year-old cellist Jonah Ellsworth plays Variations on One String on a Theme of Rossini, by Niccolo Paganini. Accessibility features: Caption	5-12	Video
Performing "The Walrus Hunt" This video, adapted from material provided by the ECHO partners, shows Alaskan students preparing a music and dance presentation that draws on Native traditions. Accessibility features: Caption	4-6	Video
Twelfth Night Act 1 Sc 1 In this video from Penn State's School of Theatre production of Twelfth Night, Duke Orsino is pining away for Lady Olivia, but refuses to do anything about it. In addition, Olivia is mourning for her dead brother and has vowed to be chaste for seven years, which only adds to Orsino’s morbid pleasure. Accessibility features: Caption	9-12	Video
Twelfth Night Act 1 Sc 2 In this video from Penn State's School of Theatre production of Twelfth Night, Viola, the heroine, is rescued from a shipwreck. She finds she is in a land ruled by an eligible bachelor (Orsino) and disguises herself as a man to protect herself. Accessibility features: Caption	9-12	Video
Twelfth Night Act 1 Sc 3 In this video from Penn State's School of Theatre production of Twelfth Night, Sir Toby, Sir Andrew Aguecheek, and Maria are introduced and their roles in this play established. Sir Toby wishes for the forever-intoxicated Sir Andrew to woo Olivia. Accessibility features: Caption	9-12	Video
Twelfth Night Act 2 Sc 2 In this video from Penn State's School of Theatre production of Twelfth Night, Olivia sends a ring to Cesario via Malvolio under the pretext that he (Viola) had dropped it. Viola realizes that Olivia has fallen in love with her (or Cesario). Accessibility features: Caption	9-12	Video
Twelfth Night Act 2 Sc 3 In this video from Penn State's School of Theatre production of Twelfth Night, Sir Toby, Sir Andrew, and Feste are in a boisterous mood that raises the ire of Malvolio. Incensed at his highhandedness, Maria and the trio hatch a plan to fool him. Accessibility features: Caption	9-12	Video
Twelfth Night Act 2 Sc 4 In this video from Penn State's School of Theatre production of Twelfth Night, Feste sings a song for the Duke and Viola (Cesario, and the two discuss the way men and women approach love. Accessibility features: Caption	9-12	Video
Twelfth Night Act 2 Sc 5 In this video from Penn State's School of Theatre production of Twelfth Night, Maria drops a love letter supposedly written by Olivia to Malvolio in his way. Malvolio reads it and resolves to change his behavior to secure Olivia's affections. Accessibility features: Caption	9-12	Video
Twelfth Night Act 3 Sc 1 In this video from Penn State's School of Theatre production of Twelfth Night, Olivia confesses her love to Viola (Cesario), but Cesario refuses her advances. Desperate, Olivia asks Cesario to come again saying that she will grow to love Orsino. Accessibility features: Caption	8-12	Video
Twelfth Night Act 5 In this video from Penn State's School of Theatre production of Twelfth Night, Olivia realizes she has married Sebastian and Viola (Cesario) reveals to Orsino that she is a woman. Malvolio is freed from captivity and Sir Toby and Maria are married. Accessibility features: Caption	9-12	Video
The Young People's Chorus of New York City In this From the Top at Carnegie Hall video segment, the Young People's Chorus of New York City performs a stirring a cappella piece by contemporary composer Jim Papoulis. Accessibility features: Caption	5-12	Video